The Ocean at the End of the Lane (3 page)

The girl said, “Have you eaten?”

“Just a piece of toast. It was burned.”

She said, “My name's Lettie. Lettie Hempstock. This
is Hempstock Farm. Come on.” She took me in through the front door, and into
their enormous kitchen, sat me down at a huge wooden table, so stained and
patterned that it looked as if faces were staring up at me from the old
wood.

“We have breakfast here early,” she said. “Milking
starts at first light. But there's porridge in the saucepan, and jam to put in
it.”

She gave me a china bowl filled with warm porridge
from the stovetop, with a lump of homemade blackberry jam, my favorite, in the
middle of the porridge, then she poured cream on it. I swished it around with my
spoon before I ate it, swirling it into a purple mess, and was as happy as I
have ever been about anything. It tasted perfect.

A stocky woman came in. Her red-brown hair was
streaked with gray, and cut short. She had apple cheeks, a dark green skirt that
went to her knees, and Wellington boots. She said, “This must be the boy from
the top of the lane. Such a business going on with that car. There'll be five of
them needing tea soon.”

Lettie filled a huge copper kettle from the tap.
She lit a gas hob with a match and put the kettle onto the flame. Then she took
down five chipped mugs from a cupboard, and hesitated, looking at the woman. The
woman said, “You're right. Six. The doctor will be here too.”

Then the woman pursed her lips and made a
tchutch!
noise. “They've missed the note,” she said. “He wrote it so carefully too,
folded it and put it in his breast pocket, and they haven't looked there
yet.”

“What does it say?” asked Lettie.

“Read it yourself,” said the woman. I thought she
was Lettie's mother. She seemed like she was somebody's mother. Then she said,
“It says that he took all the money that his friends had given him to smuggle
out of South Africa and bank for them in England, along with all the money he'd
made over the years mining for opals, and he went to the casino in Brighton, to
gamble, but he only meant to gamble with his own money. And then he only meant
to dip into the money his friends had given him until he had made back the money
he had lost.

“And then he didn't have anything,” said the woman,
“and all was dark.”

“That's not what he wrote, though,” said Lettie,
squinting her eyes. “What he wrote was,

“To all my friends,

“Am so sorry it was not like I meant to and hope
you can find it in your hearts to forgive me for I cannot forgive myself.”

“Same thing,” said the older woman. She turned to
me. “I'm Lettie's ma,” she said. “You'll have met my mother already, in the
milking shed. I'm Mrs. Hempstock, but she was Mrs. Hempstock before me, so she's
Old Mrs. Hempstock. This is Hempstock Farm. It's the oldest farm hereabouts.
It's in the Domesday Book.”

I wondered why they were all called Hempstock,
those women, but I did not ask, any more than I dared to ask how they knew about
the suicide note or what the opal miner had thought as he died. They were
perfectly matter-of-fact about it.

Lettie said, “I nudged him to look in the breast
pocket. He'll think he thought of it himself.”

“There's a good girl,” said Mrs. Hempstock.
“They'll be in here when the kettle boils to ask if I've seen anything unusual
and to have their tea. Why don't you take the boy down to the pond?”

“It's not a pond,” said Lettie. “It's my ocean.”
She turned to me and said, “Come on.” She led me out of the house the way we had
come.

The day was still gray.

We walked around the house, down the cow path.

“Is it a real ocean?” I asked.

“Oh yes,” she said.

We came on it suddenly: a wooden shed, an old
bench, and between them, a duck pond, dark water spotted with duckweed and lily
pads. There was a dead fish, silver as a coin, floating on its side on the
surface.

“That's not good,” said Lettie.

“I thought you said it was an ocean,” I told her.
“It's just a pond, really.”

“It is an ocean,” she said. “We came across it when
I was just a baby, from the old country.”

Lettie went into the shed and came out with a long
bamboo pole, with what looked like a shrimping net on the end. She leaned over,
carefully pushed the net beneath the dead fish. She pulled it out.

“But Hempstock Farm is in the Domesday Book,” I
said. “Your mum said so. And that was William the Conqueror.”

“Yes,” said Lettie Hempstock.

She took the dead fish out of the net and examined
it. It was still soft, not stiff, and it flopped in her hand. I had never seen
so many colors: it was silver, yes, but beneath the silver was blue and green
and purple and each scale was tipped with black.

“What kind of fish is it?” I asked.

“This is very odd,” she said. “I mean, mostly fish
in this ocean don't die anyway.” She produced a horn-handled pocketknife,
although I could not have told you from where, and she pushed it into the
stomach of the fish, and sliced along, toward the tail.

“This is what killed her,” said Lettie.

She took something from inside the fish. Then she
put it, still greasy from the fish-guts, into my hand. I bent down, dipped it
into the water, rubbed my fingers across it to clean it off. I stared at it.
Queen Victoria's face stared back at me.

“Sixpence?” I said. “The fish ate a sixpence?”

“It's not good, is it?” said Lettie Hempstock.
There was a little sunshine now: it showed the freckles that clustered across
her cheeks and nose, and, where the sunlight touched her hair, it was a coppery
red. And then she said, “Your father's wondering where you are. Time to be
getting back.”

I tried to give her the little silver sixpence, but
she shook her head. “You keep it,” she said. “You can buy chocolates, or sherbet
lemons.”

“I don't think I can,” I said. “It's too small. I
don't know if shops will take sixpences like these nowadays.”

“Then put it in your piggy bank,” she said. “It
might bring you luck.” She said this doubtfully, as if she were uncertain what
kind of luck it would bring.

The policemen and my father and two men in brown
suits and ties were standing in the farmhouse kitchen. One of the men told me he
was a policeman, but he wasn't wearing a uniform, which I thought was
disappointing: if I were a policeman, I was certain, I would wear my uniform
whenever I could. The other man with a suit and tie I recognized as Doctor
Smithson, our family doctor. They were finishing their tea.

My father thanked Mrs. Hempstock and Lettie for
taking care of me, and they said I was no trouble at all, and that I could come
again. The policeman who had driven us down to the Mini now drove us back to our
house, and dropped us off at the end of the drive.

“Probably best if you don't talk about this to your
sister,” said my father.

I didn't want to talk about it to anybody. I had
found a special place, and made a new friend, and lost my comic, and I was
holding an old-fashioned silver sixpence tightly in my hand.

I said, “What makes the ocean different to the
sea?”

“Bigger,” said my father. “An ocean is much bigger
than the sea. Why?”

“Just thinking,” I said. “Could you have an ocean
that was as small as a pond?”

“No,” said my father. “Ponds are pond-sized, lakes
are lake-sized. Seas are seas and oceans are oceans. Atlantic, Pacific, Indian,
Arctic. I think that's all of the oceans there are.”

My father went up to his bedroom, to talk to my mum
and to be on the phone up there. I dropped the silver sixpence into my piggy
bank. It was the kind of china piggy bank from which nothing could be removed.
One day, when it could hold no more coins, I would be allowed to break it, but
it was far from full.

III.

I
never saw
the white Mini again. Two days later, on Monday, my father took delivery of a
black Rover, with cracked red leather seats. It was a bigger car than the Mini
had been, but not as comfortable. The smell of old cigars permeated the leather
upholstery, and long drives in the back of the Rover always left us feeling
car-sick.

The black Rover was not the only thing to arrive on
Monday morning. I also received a letter.

I was seven years old, and I never got letters. I
got cards, on my birthday, from my grandparents, and from Ellen Henderson, my
mother's friend whom I did not know. On my birthday Ellen Henderson, who lived
in a camper van, would send me a handkerchief. I did not get letters. Even so, I
would check the post every day to see if there was anything for me.

And, that morning, there was.

I opened it, did not understand what I was looking
at, and took it to my mother.

“You've won the Premium Bonds,” she said.

“What does that mean?”

“When you were born—when all of her grandchildren
were born—your grandma bought you a Premium Bond. And when the number gets
chosen you can win thousands of pounds.”

“Did I win thousands of pounds?”

“No.” She looked at the slip of paper. “You've won
twenty-five pounds.”

I was sad not to have won thousands of pounds (I
already knew what I would buy with it. I would buy a place to go and be alone,
like a Batcave, with a hidden entrance), but I was delighted to be in possession
of a fortune beyond my previous imaginings. Twenty-five pounds. I could buy four
little blackjack or fruit salad sweets for a penny: they were a farthing each,
although there were no more farthings. Twenty-five pounds, at 240 pennies to the
pound and four sweets to the penny, was . . . more sweets than I could
easily imagine.

“I'll put it in your post office account,” said my
mother, crushing my dreams.

I did not have any more sweets than I had had that
morning. Even so, I was rich. Twenty-five pounds richer than I had been moments
before. I had never won anything, ever.

I made her show me the piece of paper with my name
on it again, before she put it into her handbag.

That was Monday morning. In the afternoon the
ancient Mr. Wollery, who came in on Monday and Thursday afternoons to do some
gardening (Mrs. Wollery, his equally ancient wife, who wore galoshes, huge
semi-transparent overshoes, would come in on Wednesday afternoons and clean),
was digging in the vegetable garden and dug up a bottle filled with pennies and
halfpennies and threepenny bits and even farthings. None of the coins was dated
later than 1937, and I spent the afternoon polishing them with brown sauce and
vinegar, to make them shine.

My mother put the bottle of old coins on the
mantelpiece of the dining room, and said that she expected that a coin collector
might pay several pounds for them.

I went to bed that night happy and excited. I was
rich. Buried treasure had been discovered. The world was a good place.

I don't remember how the dreams started. But that's
the way of dreams, isn't it? I know that I was in school, and having a bad day,
hiding from the kinds of kids who hit me and called me names, but they found me
anyway, deep in the rhododendron thicket behind the school, and I knew it must
be a dream (but in the dream I didn't know this, it was real and it was true)
because my grandfather was with them, and his friends, old men with gray skin
and hacking coughs. They held sharp pencils, the kind that drew blood when you
were jabbed with them. I ran from them, but they were faster than I was, the old
men and the big boys, and, in the boys' toilets, where I had hidden in a
cubicle, they caught up with me. They held me down, forced my mouth wide
open.

My grandfather (but it was not my grandfather: it
was really a waxwork of my grandfather, intent on selling me to
anatomy
) held
something sharp and glittering, and he began pushing it into my mouth with his
stubby fingers. It was hard and sharp and familiar, and it made me gag and
choke. My mouth filled with a metallic taste.

They were looking at me with mean, triumphant eyes,
all the people in the boys' toilets, and I tried not to choke on the thing in my
throat, determined not to give them that satisfaction.

I woke and I was choking.

I could not breathe. There was something in my
throat, hard and sharp and stopping me from breathing or from crying out. I
began to cough as I woke, tears streaming down my cheeks, nose running.

I pushed my fingers as deeply as I could into my
mouth, desperate and panicked and determined. With the tip of my forefinger I
felt the edge of something hard. I put the middle finger on the other side of
it, choking myself, clamping the thing between them, and I pulled whatever it
was out of my throat.

I gasped for breath, and then I half-vomited onto
my bedsheets, threw up a clear drool flecked with blood, from where the thing
had cut my throat as I had pulled it out.

I did not look at the thing. It was tight in my
hand, slimy with my saliva and my phlegm. I did not want to look at it. I did
not want it to exist, the bridge between my dream and the waking world.

I ran down the hallway to the bathroom, down at the
far end of the house. I washed my mouth out, drank directly from the cold tap,
spat red into the white sink. Only when I'd done that did I sit on the side of
the white bathtub and open my hand. I was scared.

But what was in my hand—what had been in my
throat—wasn't scary. It was only a coin: a silver shilling.

I went back to the bedroom. I dressed myself,
cleaned the vomit from my sheets as best I could with a damp face-flannel. I
hoped that the sheets would dry before I had to sleep in the bed that night.
Then I went downstairs.

I wanted to tell someone about the shilling, but I
did not know who to tell. I knew enough about adults to know that if I did tell
them what had happened, I would not be believed. Adults rarely seemed to believe
me when I told the truth anyway. Why would they believe me about something so
unlikely?

My sister was playing in the back garden with some
of her friends. She ran over to me angrily when she saw me. She said, “I hate
you. I'm telling Mummy and Daddy when they come home.”

“What?”

“You know,” she said. “I know it was you.”

“What was me?”

“Throwing coins at me. At all of us. From the
bushes. That was just nasty.”

“But I didn't.”

“It hurt.”

She went back to her friends, and they all glared
at me. My throat felt painful and ragged.

I walked down the drive. I don't know where I was
thinking of going—I just didn't want to be there any longer.

Lettie Hempstock was standing at the bottom of the
drive, beneath the chestnut trees. She looked as if she had been waiting for a
hundred years and could wait for another hundred. She wore a white dress, but
the light coming through the chestnut's young spring leaves stained it
green.

I said, “Hello.”

She said, “You were having bad dreams, weren't
you?”

I took the shilling out of my pocket and showed it
to her. “I was choking on it,” I told her. “When I woke up. But I don't know how
it got into my mouth. If someone had put it into my mouth, I would have woken
up. It was just
in
there, when I woke.”

“Yes,” she said.

“My sister says I threw coins at them from the
bushes, but I didn't.”

“No,” she agreed. “You didn't.”

I said, “Lettie? What's happening?”

“Oh,” she said, as if it was obvious. “Someone's
just trying to give people money, that's all. But it's doing it very badly, and
it's stirring things up around here that should be asleep. And that's not
good.”

“Is it something to do with the man who died?”

“Something to do with him. Yes.”

“Is he doing this?”

She shook her head. Then she said, “Have you had
breakfast?”

I shook my head.

“Well then,” she said. “Come on.”

We walked down the lane together. There were a few
houses down the lane, here and there, back then, and she pointed to them as we
went past. “In that house,” said Lettie Hempstock, “a man dreamed of being sold
and of being turned into money. Now he's started seeing things in mirrors.”

“What kinds of things?”

“Himself. But with fingers poking out of his eye
sockets. And things coming out of his mouth. Like crab claws.”

I thought about people with crab legs coming out of
their mouths, in mirrors. “Why did I find a shilling in my throat?”

“He wanted people to have money.”

“The opal miner? Who died in the car?”

“Yes. Sort of. Not exactly. He started this all
off, like someone lighting a fuse on a firework. His death lit the touchpaper.
The thing that's exploding right now, that isn't him. That's somebody else.
Something else.”

She rubbed her freckled nose with a grubby
hand.

“A lady's gone mad in that house,” she told me, and
it would not have occurred to me to doubt her. “She has money in the mattress.
Now she won't get out of bed, in case someone takes it from her.”

“How do you know?”

She shrugged. “Once you've been around for a bit,
you get to know stuff.”

I kicked a stone. “By ‘a bit' do you mean ‘a really
long time'?”

She nodded.

“How old are you, really?” I asked.

“Eleven.”

I thought for a bit. Then I asked, “How long have
you been eleven for?”

She smiled at me.

We walked past Caraway Farm. The farmers, whom one
day I would come to know as Callie Anders's parents, were standing in their
farmyard, shouting at each other. They stopped when they saw us.

When we rounded a bend in the lane, and were out of
sight, Lettie said, “Those poor people.”

“Why are they poor people?”

“Because they've been having money problems. And
this morning he had a dream where she . . . she was doing bad things.
To earn money. So he looked in her handbag and found lots of folded-up
ten-shilling notes. She says she doesn't know where they came from, and he
doesn't believe her. He doesn't know what to believe.”

“All the fighting and the dreams. It's about money,
isn't it?”

“I'm not sure,” said Lettie, and she seemed so
grown-up then that I was almost scared of her.

“Whatever's happening,” she said, eventually, “it
can all be sorted out.” She saw the expression on my face then, worried. Scared
even. And she said, “After pancakes.”

Lettie cooked us pancakes on a big metal griddle,
on the kitchen stove. They were paper-thin, and as each pancake was done Lettie
would squeeze lemon onto it, and plop a blob of plum jam into the center, and
roll it tightly, like a cigar. When there were enough we sat at the kitchen
table and wolfed them down.

There was a hearth in that kitchen, and there were
ashes still smoldering in the hearth, from the night before. That kitchen was a
friendly place, I thought.

I said to Lettie, “I'm scared.”

She smiled at me. “I'll make sure you're safe. I
promise.
I'm
not scared.”

I was still scared, but not as much. “It's just
scary.”

“I said I promise,” said Lettie Hempstock. “I won't
let you be hurt.”

“Hurt?” said a high, cracked voice. “Who's hurt?
What's been hurt? Why would anybody be hurt?”

It was Old Mrs. Hempstock, her apron held between
her hands, and in the hollow of the apron so many daffodils that the light
reflected up from them transformed her face to gold, and the kitchen seemed
bathed in yellow light.

Lettie said, “Something's causing trouble. It's
giving people money. In their dreams and in real life.” She showed the old lady
my shilling. “My friend found himself choking on this shilling when he woke up
this morning.”

Old Mrs. Hempstock put her apron on the kitchen
table, rapidly moved the daffodils off the cloth and onto the wood. Then she
took the shilling from Lettie. She squinted at it, sniffed it, rubbed at it,
listened to it (or put it to her ear, at any rate), then touched it with the tip
of her purple tongue.

“It's new,” she said, at last. “It says 1912 on it,
but it didn't exist yesterday.”

Lettie said, “I knew there was something funny
about it.”

I looked up at Old Mrs. Hempstock. “How do you
know?”

“Good question, luvvie. It's electron decay,
mostly. You have to look at things closely to see the electrons. They're the
little dinky ones that look like tiny smiles. The neutrons are the gray ones
that look like frowns. The electrons were all a bit too smiley for 1912, so then
I checked the sides of the letters and the old king's head, and everything was a
tad too crisp and sharp. Even where they were worn, it was as if they'd been
made to be worn.”